Music engine show 25/8/14

Thanks to my guests tonight . Ace session from the Rose Redd and a little chat Laura From  Occombe Cider Festival. 

tones of local bands on! 

Cider Festival

https://www.countryside-trust.org.uk/cider-fest/line-up-2

 

Rosie Redd 

Rose Redd is a beautiful contradiction. Twenty years in age but unfathomably older in soul, her music has its roots in darker days, experiences, and stories and finds its bloom in both release and connection. Her poignant verses and explosive choruses let you know that she makes music because she has to.


Born in the sleepy British seaside town ofEastbourne, at six months old Redd relocated with her family to the West Midlands. She was raised on a varied musical diet of everything from Ella Fitzgerald to Iron Maiden to Kate Bush, greedily consuming it all.

At the tender age of twelve she first found a kindred spirit in Depeche Mode's Martin Gore, whose lyrics spoke to her as a troubled young woman and gave her the inspiration to pick up a guitar for the first time and explore songwriting as a means of expression.





She's come a long way since portraying a singing sunflower in a kindergarten play and after the last five years of performing across the country, from pub gigs to headliningBirmingham music venues, Rose Redd’s hard work and potential is now being realised by both fans and industry professionals.

Now backed by a talented and equally as passionate band she is ‘ready to take on the world and with talent like hers, there's nothing to stop her on her way’.

The Healing is Rose Redd's powerful new single from the EP of the same name. Her voice has been described as 'A soulful powerhouse' and 'a blend of Amy Lee and Alison Moyet'.

"The Healing is a realisation of how self destructive I can be and how, in the past, I have projected my self hate and weaknesses onto others, fooling myself into thinking it's not my fault that my goals haven't been achieved yet."

Rose, now backed by her band, delivers a powerful and passionate live performance giving the audience a chance to experience Rose Redd's ' extraordinary depth and ability to translate her inner thoughts'.

https://www.facebook.com/rosereddmusic http://www.roseredd.co.uk/

 

Playlist -

Three Kings High -Nothing Left To lose 

Scarlett Baxter -Backsliding 

Jupiter In Velvet -Bring me back 2 Life 

The Butterfly Culture -Before I am 

Yawning Dog -Don't be shy Vlad 

Guillia -Radio Junky 

Ian Britt -Heartless 

Jack Cleary -Chill in the sun

Empathy Test -losing Touch

Featured Artist -Pint Size Hero 

Get what you take 

No love in the fire 

Nikki Noodles  & Helen Sanderson-White -Change the record 

Miel -Bad Men 

Red Sky July -Losing you 

Lucy French -Let me go 

Coco & the Butterfields -King of the coroner 

These Reigning Days -  Changes 

Scott Coner -Feels like Friday 

Rose Redd -The Healing plus live tracks in session 

Info 

On 8 September 2014 Pint Size Hero's second album, 'Like A Hurricane' is released worldwide.

The first single, 'Hunger', is released on 14 August 2014. 'Hunger' showcases the album's fuzz-driven vibe and razor sharp sounds.

'Like A Hurricane' is the band's first new release since 2011's 'Get Your Kicks' and surpasses the ambition of that album with a new level of immediacy and refined songwriting, not to mention an extra fuzz pedal or two.

In 2012 the band were invited on the road with Californian rockers 'Rival Sons', touring the UK with their brand of South Coast electric Rock n Roll.

2013 saw continued dates in support of 'Get Your Kicks', including a sold-out show at London's The Borderline alongside The Graveltones (nominated for best new band at last year's Classic Rock Awards). A feature in Classic Rock Magazine as one of the '15 Hottest New Bands In Britain' followed, as well as coverage on NME.com.

"Alongside Band Of Skulls they're establishing the south coast as an enclave for this sort of fuzzy dirt-under-the-fingernails blues rock" - Classic Rock Magazine.

'Like A Hurricane' will be on sale as a deluxe CD pack and to download online via iTunes and Amazon.

More information including tour details to be announced.

Lucy is a fresh new singer/songwriter from the North East and is bringing her unique sound and style with her recently released, debut EP "Vicious Cycles" 

Lucy started singing from a young age, singing into a hairbrush whenever she could. Lucy taught herself how to play the guitar after her parents bought her first guitar at the age of 8, buying tutorial books and watching videos on the internet. The young singer has been turning heads in the musical world recently for her songwriting with lyrics, wise and beyond her years.

‘Vicious Cycles’ is the debut release from Lucy and showcases how true her work is to her heart. The EP features 4 tracks; Let Me Go, Devil, Pseudo Love and Vicious Cycles, and is to be released Friday 11 April across digital platforms; iTunes, Amazon and Google Play. The record claws through the depths of love with ornamental guitar and illustrative verse; Lucy dares to verbalise the statements we’re sometimes too prudish to voice. Brutally honest words echoed through a voice that’s laden with the uncertainty of emotion.

 

Let Me Go is the lead single of the EP; it tells a story of wanting to escape from the clutches of a broken relationship. With a subtle driving beat, the colourful guitar seems to highlight the good out of the heartache we’re hearing unfold. The vulnerability of the situation is relatable to most, appealing as an anthem for those who wear their heart on their sleeve.

 

With calming tones and a charming warmth, Lucy French hints similarity to acoustic based soloists such as Ben Howard, Damien Rice, Charlie Simpson and Lucy Rose. Work on Lucy’s next EP has materialised post production of ‘Vicious Cycles’ and is already showing signs of a developed signature sound.

"Vicious Cycles" is available on all digital platforms, including Itunes, Google Play, Amazon, and our own site http://www.otissmusic.com/

Ian Britt

Heartless Man

Impact Date:  29th September

 

The lyrical styling’s of singer/songwrtier Ian Britt has been heard over the crowds of SXSW right down to the soundtrack of Greys Anatomy. Now the Sheffield based artist is back with his latest offering Heartless Man.

 

Signed to London based label Jalapeño Records back in 2005, Britt released his debut album One Day I which saw him hit No. 2 on the iTunes Folk Chart. Gaining support from BBC Radio 2, Ian went on to play showcases at BBC Radio One Live Weekend as well as the world renowned industry music festival South by South West in Texas.

 

Now an independent artist, Ian has continued to entertain audiences on both stage and screen, providing tracks for shows such as Neighbours, Hollyoaks, Keeping up with the Kardashians, Parenthood and the aforementioned Grey’s Anatomy. 

 

Working with Sheffield producer Tim Hampton (Bromheads), Britt’s latest offering takes the songwriters stunning compositions in a new direction and is guaranteed to impress.

 

Listen to Heartless Man Here: https://soundcloud.com/landerprsoundcloud/ian-britt-heartless/s-IqbC3

 

Keep up with Ian:

https://www.facebook.com/ianbrittmusic

www.ianbritt.com

Jack Cleary-

Chill in the Sun"

https://wwwfacebook.com/JackClearyMusic?fref=ts

Miel de Botton ‘Bad Men’

Debut UK single released 21 September 2014

www.mielmusic.co.uk / Facebook.com/MielMusicUK / Twitter.com/Miel_music

Miel de Botton announces the release of her debut single ‘Bad Men’. The majestically bare, Morricone-esque mantra is many a woman’s rallying cry, slowly stripping layers off those debonair men who talk about forever but can’t seem to follow through. This honest song explores the pain and pathos that underlies such relationships.

‘Bad Men’ is the first single from Miel’s debut album ‘Magnetic’ – scheduled for release in January 2015. A collection of radically reinterpreted Chansons (Jacques Brel, Piaf…) plus Miel’s own material, some in English, some in French. ‘Magnetic’ is the sensuous, exultant sound of a woman who’s finally following her path; a woman just hitting her stride.

‘Music has always given me a sense of joy and freedom. If you’d asked me as a child what my biggest dream was, it would have been to be a singer. But it was a secret dream…’

Miel’s Swiss parents instilled in her a love of the arts. Music in all its forms filled the house and it was through her father singing to her from an early age that Miel first fell in love with the Chansons. “The songs transported me to an era of wild romance. I could feel the intensity of love, but also its tragic inconstancy, and I wanted to abandon myself to that music.”

A career in the arts was not on the cards for Miel who, dutifully, in her father’s vision, studied law at Oxford. She graduated and moved to Paris, where she trained as a clinical psychologist, then worked as a drug addiction therapist. “Psychology taught me to connect deeply with people and turn emotion into a positive force for transformation. That is what I try to do when I sing – share human emotion, make us feel connected. I aim for the music to have a soothing, healing effect.”

A chance meeting in London led to Miel performing her first gig at - wait for it - an electricians’ ball in Kent. More performances followed – at, amongst others, the Wonders of Weizmann Gala at St Pancras Hotel, Gabrielle’s Gala at Battersea Power Station, and most recently at a gala dinner at St Bartholomew’s Hospital to support Maggie’s centre for cancer care. Each performance reinforced her belief that music was her destiny and the yearning to capture those moments on record became an overwhelming desire…and a reality.

Recorded with songwriter and producer Andy Wright (Mick Hucknall, Eurythmics, Jeff Beck) the process was a revelation for the Zurich-born London-based artist. “He really gets me. We have these amazing moments when I give him my songs and he sits at the piano and starts the chord arrangements, and every time I cry, because what comes out is magical” explains Miel. And, of course, because at last her dream is coming true.

This is no shallow pop diva. Mixing maturity and youth, it’s someone flexing her muscles, making life make sense. As she says, “I’m experiencing a depth of fulfilment I have never known”.

The Butterfly Culture - "Before I Burn" from the new e.p. "Scars and Bruises" - out now.

‘Heartfelt tunes that will capture your heart; made up of catchy lyrics and indie-rock beats’ – Helena (Music Blogger)

‘Beautiful, charming and wraps around you like a velvet blanket. You melt away.’ – USN Blog

‘Great melodies with chilling harmonies, that creates a moment of bliss’ – Ceri (A&R scout)

‘A mysterious voice backed by empowering, well executed instrumentals. Entwined they summon power. Would love to see them play West Australia! - Lee (Music Blogger & Promoter)

"This is a band I need to see again to make sure I didn’t dream their set, and a band I would highly advise you to get out there and check out!" Dave Nicholls (Loud Stuff)

After a busy 2013, winning Marshall's national battle of the bands competition, signing a record contract with label Quay West Records, and stepping up to play festival slots on the south coast, The Butterfly Culture are currently getting ready for a massive year in 2014.

Members:

Lewis Wright - Vocals 

Johnny Gunn - Guitars/Vocals 

Benn Gunn - Guitars/Vocals/Keys 

George Jones - Bass 

Josh Virdee-Drums

The Butterfly Culture are fast becoming the band to watch, always delivering powerful performances with catchy heartfelt songs, do not miss out, become a fan of The Butterfly Culture:-)

The band's new E.P ‘Scars and Bruises’ is out now.

Social media:

https://www.facebook.com/TheButterflyCulture

http://soundcloud.com/the-butterfly-culture

Twitter:@tbculture

Instagram - #thebutterflycultureband

Live dates:

23rd August: Victorious Festival with Razorlight and Dizzie Rascal etc

Here's the new single from Bristol's Three Kings High: "Nothing Left to Lose" which is released on the 8th of September 2014.

Genre: Indie hip hop.

Featuring in Music Week w/c August 18th.

“A fine blend of Chili Peppers and Arctic Monkeys

Off the back of the successful, and critically acclaimed “Tell Em Lies” the demand for Three Kings High’ music has never been greater.

From a hip hop background, band, Three Kings High, combine powerful melodies with intelligent delivery to sound, in their new single ‘Nothing Left To Lose’.

Inspired and influenced by Bristol’s diverse musical culture, the Kings are putting their own stamp on the city and are showcasing this fresh new sound around the country, leaving a tidal wave of energy behind them wherever they go.

Three Kings High have so far supported established acts like Huey Morgan, Smoove & Turrell, The Milk, The Apples, The Pharcyde & Craig Charles, playing main stages at Brisfest & Redfest, the Nokia stage at Brisfest 2013, as well as completing their first headline tour of the UK in March 2014.

They have been championed by BBC Bristol as ones to watch.

Vocals: Joe Eden 

Vocals/Guitar: Samuel Otis 

Vocals: Elo Colliou 

Producer/Engineer/MPC/Keys: Vee Kay 

Drums: Luke Wookash 

Bass: Rowan Ensoll

Social media:

https://www.facebook.com/THREEKINGSHIGH

Twitter is @Threekingshigh

The empathy test in Ridley Scott’s Blade Runner is based on the premise that machines, no matter how advanced, lack compassion. But for childhood friends, Isaac Howlett (vocals, guitar) and Adam Relf (production), Empathy Test is all about wearing their hearts on their digital sleeves. With soaring synthetic chords, precision beats, and jubilant 80s melodies — all coated in soft, irresistible melancholy — the London-based duo takes inspiration as much from modern acts like CHVRCHES and Purity Ring, as it does from Vangelis and Depeche Mode. But, instead of sounding like a mere update of 80s’ electro, Empathy Test produce a mesmerizing and immersive identity which sets them apart from pretty much everything else currently on the scene. Shadows envelop hymns, a note sustains too long, a lyric confesses too much: It’s the heart of darkness, not compassion, that beats slow and steady.

Despite mutual family friends, the Kent boys grew up in vary different directions. Isaac embraced acting, writing, and singer/songwriter music, while Relf studied sculpture and illustration at Kingston University, becoming immersed in house music and dance production. Such radically different approaches to music became an asset when the two realized their mutual love of 80s electro-pop soundtracks. Beginning with Winding Refn’s Drive, Empathy Test began to head backwards, drawing from Brad Fiedel (Terminator), John Williams (Close Encounters of the Third Kind), and James Horner (Star Trek, Aliens). In particular, Relf was intrigued by the way these composers would draw out single notes to the point where the drone took on an off-key quality. Using Howlett’s guitar-based melodies and song structures as a base, Relf tries to reproduce the harmonics of the guitar on a synthesizer, sustaining some notes to the point of maximum tension, then burying the emotional swell beneath. When this soundscape is mixed with bright arpeggios and Howlett’s powerful and romantic voice, the result is mnemonically alien, yet emotionally familiar.

While the lingering nighttime aesthetic that Relf conjures up provides the initial hook, Howlett’s vocal mastery pushes the stakes ever higher, providing the urgency and romanticism to Relf’s crystalline production. Little wonder that the duo has amassed a sizable and passionate online following: With an insistence on glorious hooks and instantly memorable vocal lines, Empathy Test are refreshingly unafraid to be pop music. Since self-releasing their debut EP “Losing Touch” in February, Empathy Test have picked up thousands of fans via sheer word-of-mouth and late-night tweets, and collaborated with Richard Swarbrick on numerous viral animation videos for ESPN and Liverpool FC. Empathy Test signed to Brooklyn’s Stars & Letters Records in the spring of 2014, with their follow-up EP “Throwing Stones” releasing November 18, 2014.